MAX.TAN

Mocking at the superfluousness of contemporary fashion design, max.tan’s collection for Spring/Summer 2011 strips away the excessive overuse of colour and detail and returns design to a singular focus on form and construction.

The overture of the collection commences with a rude riot of colour applied to a single print. Akin to drawing the first breath on a freshly lit cigarette, the collection quickly capitulates to the darkening hues of ash gray before fading to black.

With STRIPPED, max.tan offers itself as a meta-narrative of fashion’s follies.

Mocking at the superfluousness of contemporary fashion design, max.tan’s collection for Spring/Summer 2011 strips away the excessive overuse of colour and detail and returns design to a singular focus on form and construction.

The overture of the collection commences with a rude riot of colour applied to a single print. Akin to drawing the first breath on a freshly lit cigarette, the collection quickly capitulates to the darkening hues of ash gray before fading to black.

With STRIPPED, max.tan offers itself as a meta-narrative of fashion’s follies.

Mocking at the superfluousness of contemporary fashion design, max.tan’s collection for Spring/Summer 2011 strips away the excessive overuse of colour and detail and returns design to a singular focus on form and construction.

The overture of the collection commences with a rude riot of colour applied to a single print. Akin to drawing the first breath on a freshly lit cigarette, the collection quickly capitulates to the darkening hues of ash gray before fading to black.

With STRIPPED, max.tan offers itself as a meta-narrative of fashion’s follies.

Mocking at the superfluousness of contemporary fashion design, max.tan’s collection for Spring/Summer 2011 strips away the excessive overuse of colour and detail and returns design to a singular focus on form and construction.

The overture of the collection commences with a rude riot of colour applied to a single print. Akin to drawing the first breath on a freshly lit cigarette, the collection quickly capitulates to the darkening hues of ash gray before fading to black.

With STRIPPED, max.tan offers itself as a meta-narrative of fashion’s follies.

Mocking at the superfluousness of contemporary fashion design, max.tan’s collection for Spring/Summer 2011 strips away the excessive overuse of colour and detail and returns design to a singular focus on form and construction.

The overture of the collection commences with a rude riot of colour applied to a single print. Akin to drawing the first breath on a freshly lit cigarette, the collection quickly capitulates to the darkening hues of ash gray before fading to black.

With STRIPPED, max.tan offers itself as a meta-narrative of fashion’s follies.

Mocking at the superfluousness of contemporary fashion design, max.tan’s collection for Spring/Summer 2011 strips away the excessive overuse of colour and detail and returns design to a singular focus on form and construction.

The overture of the collection commences with a rude riot of colour applied to a single print. Akin to drawing the first breath on a freshly lit cigarette, the collection quickly capitulates to the darkening hues of ash gray before fading to black.

With STRIPPED, max.tan offers itself as a meta-narrative of fashion’s follies.